PAUL VAN DYK@Arenele Romane,Bucharest,Romania,10/09/2008

Early career
Van Dyk grew up in East Berlin where he kept in touch with the world beyond the Berlin Wall by secretly listening to the popular but forbidden Western radio stations RIAS (Radio in the American Sector) and SFB and mixtapes occasionally smuggled into the country and copied among school friends.

Shortly before the fall of the Berlin Wall, van Dyk and his mother were given permission to leave East Germany and moved to Hamburg to live with his aunt. In 1990, van Dyk moved back to Berlin. His first appearance as a DJ was in the Tresor in March 1991. A couple more dates followed and he was soon given the chance to perform at Juergen Kramer’s famous Dubmission parties in the Turbine club, together with the highly popular young resident DJ Kid Paul. The shows were called Paul vs. Paul. His mixing style drew the attention of Cosmic Baby and the two collaborated as The Visions of Shiva, on “Perfect Day” (1992) on the renowned Berlin independent label MFS (Masterminded For Success) Records, run by English ex-patriat producer Mark Reeder and manager Torsten Jurk.

In February 1993, van Dyk and Kid Paul hosted an installment of the weekly three-hour “HR3 Clubnight” radio show perform for a nationwide audience on German radio. The second and final Visions of Shiva single “How Much Can You Take?” was released and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation “X-Mix-1 – the MFS Trip” and remixed Humate’s trance hymn “Love Stimulation”.

The growing popularity of the Dubmission parties forced a venues change, first to Cafe Moskau and then into the larger E-Werk where van Dyk began hosting regular MFS nights.

1994-2007

In 1994 Paul released “The Green Valley EP”, “Pump This Party” and “Emergency 911”. Meanwhile, MFS acquired many remixes for Paul and Reeder’s close friendship with artists such as New Order gave Paul the opportunity to mix the track “Spooky” from the Republic album. Persuaded by Reeder, he finally recorded his debut LP 45 RPM with Johnny Klimek and VOOV. Reeder also compiled the album’s running order and design, and chose the album’s title as a reflection of the 45 RPM speed typical for dance vinyl.

Reeder compiled Seven Ways which established van Dyk as a trance pioneer and was van Dyk’s first real success in Britain. Reeder had successfully convinced his old friend Rob Deacon (formerly of Volume) to license the album for the UK and his new Deviant label.

The singles “Forbidden Fruit” and “Beautiful Place” didn’t cause a great impact at first, but with the release of Seven Ways and “Words” appearing at the height of the British superclub phenomenon, van Dyk’s own material began to attract attention. “By the time they realised I was a German, it was too late!” van Dyk said.

In 1998, 45RPM was re-released in the UK. To mark the event, and in homage to the defunct E-Werk, Paul released a remix of “For An Angel”. Van Dyk took up a residency at Sheffield’s Gatecrasher and declared himself anti-drugs, which led to home-made “No E, Pure PvD” T-shirts, also a sly note to journalists that his surname contained no “E”.

Van Dyk left MFS Records and took a controlling share in the new label Vandit Records. In 2000, Paul flexed his skills with his melodic, dancefloor-friendly Out There And Back, which included the hit single “Tell Me Why (The Riddle)”, a collaboration with Saint Etienne. It also included the European hit We Are Alive, a remixed version of the Jennifer Brown song Alive. His first mix album The Politics of Dancing (2001) was followed by a world tour and a DVD release Global (2003) and the Mexican film “Zurdo”, for which van Dyk composed the soundtrack.

Reflections (2003) derived from van Dyk’s trips to India, was a more melancholy affair, and includes the single “Nothing But You”, a collaboration with Hemmstock & Jennings. It was nominated for a Grammy in the category of Best Electronic Album. The mix album The Politics of Dancing 2 (2005) was preceded by a single “The Other Side,” featuring Wayne jackson; a song dedicated to the victims, and their families, of the Sumatra-Andaman earthquake and the subsequent tsunami that struck Thailand on December 26, 2004.

2007–present: ‘In Between’

Paul van Dyk released his fifth studio album, In Between, worldwide on August 14, 2007. The album, which he created over a three-year period, debuted at number #115 on the Billboard 200 and #2 on the Billboard’s Top Electronic Albums and Top Heatseekers. The album also reached #16 on the Mexican Albums Chart and #5 on the Mexican International Chart. The album was released accompanied by a special edition limited to two thousand copies which included a mixed version of the full album, along with an eight-track bonus CD and an eight-page photo anthology.

The album was produced primarily by Paul van Dyk himself, and features a wide range of collaborators including David Byrne of Talking Heads, Jessica Sutta of the Pussycat Dolls, Ashley Tomberlin from Luminary, Alex M.O.R.P.H, Lo Fi Sugar, Rea Garvey of Reamonn, Ryan Merchant and Wayne jackson. It also features a vocal sample from Ben Lost from Probspot’s “Blows My Mind” on the song “Another Sunday”.

In June 2007, Paul van Dyk embarked on the worldwide “In Between Tour” to promote the album.

Paul van Dyk hosts a show on Radio Fritz every Saturday at 20:00 GMT. In his latest gigs, he blurs the line between DJ’ing and live performance engineering by utilizing two 17″ MacBook Pro laptops sporting Mainstage (Logic 8 Pro) and Ableton Live software on both, two MIDI keyboards, enabling a more fully-featured club experience more akin to a concert than a standard night out at a dance club. On-the-fly remixes, mashups and compositions are just some of the capabilities of this new performance method.

In May 2008, Paul van Dyk set up a remix competition with digital download network Beatport.com, inviting aspiring producers to remix his single ‘Far Away’ which appeared on his 2007 album ‘In Between’.

Personal life

He is married to Natascha van Dyk, who also appears on some of his releases (Vocals on “Together We Will Conquer”). The two were married in Cancún, Mexico.

Armin Van Buuren@Arenele Romane,Bucharest 28/06/2008

Aged just 31, Armin Van Buuren has been named number one in the prestigious DJ Top 100 poll – voted for by over 350,000 people across the world, and an indication of his prolific output over the 10 years he’s been DJing and producing. Being the official World’s Best DJ is just one of his many achievements, but the driving force behind his success is an overriding passion for dance music.
Even a basic list of recent successes reads like a lifetime of work: ‘Best Album’ for artist album “Shivers” at both the Dutch Release Dance Awards and the prestigious Edison Awards; ‘Best Compilation’ for “A State Of Trance”, and ‘Best Mix Radio Dutch Show’ at the Miami Winter Music Conference 2006 for radio show ‘A State Of Trance’ – now broadcasting on a massive 40 FM stations as well as satellite and internet radio, with over 6 million listeners a week; a 5th year residency in Ibiza at Amnesia; sell-out shows for Armin Only (12,500 people saw the nine-and-a-half hour Rotterdam live set and show and a world tour is planned); over 50,000 downloads every week from podcasting high end chart-bothering positions all over the world for singles, albums and compilations, with single “Rush Hour” used as the theme tune to the UEFA European Youth Championship; a second DVD, ‘Armin Only ‘Ahoy 2006’ – the landmarks just keep coming!
Born in Leiden, Holland (on December 25, 1976) to a musical family, Armin indulged his passion for music from a young age. He spent all the money he earned with his paper round on records. His mum won a computer when he was 10, “So as a little nerdy kid I was writing my own basic programmes, and learnt about the technology from there.” He progressed from making low-profile mix tapes for friends to higher profile mixes when he discovered experimenting with different sequences on his computer through his uncle. “I was so stunned by what I saw him doing on the computer, that I got addicted to creating music right there and then!”
“I loved dance music immediately – this great rebellious sound that was so different to the ‘beautiful’ songs of the years before”. Armin cites electronic pioneer Jean Michel Jarre as a major influence (famed for his awesome visuals as well as his groundbreaking synth sounds), as well as Dutch producer Ben Liebrand, who later mentored him in his mixing and producing.
In the early days, Armin thought it was wise to have something extra in case the DJ’ing didn’t work out. So he studied for a law degree. The final year of his course was inevitably stretched as he juggled his studies with his increasingly hectic schedule; his rise to fame included lots of productions and remixes, as well as playing out to packed clubs every weekend. It took him three years to graduate, but his determination made him succeed!
Armin’s own productions have all made a huge impact with his last 12 singles hitting the Top 40 in Holland, and gaining worldwide acclaim. His back catalogue includes Blue Fear, Communication, Sound of Goodbye, Shivers, Rush Hour, Burned With Desire, Exhale, Love You More, This World Is Watching Me, and Yet Another Day. While the remix offers flood in, Armin only takes on tracks that he really loves. He uses exactly the same criteria for his compilations, meaning that every release from Armin or his long-running Armind label is a bone fide stormer that’s earned its place. His output includes tracks for the cult TV series 24, and the likes of Motorcycle’s When The Rush Comes.
Armin is a dedicated trance lover, but isn’t imprisoned by a single genre, saying “What makes trance work so well is that it doesn’t stick to one style, and can incorporate electro, minimal, whatever it likes.” His desire to showcase more of the great music he hears, along with the number of people sending him tracks they wanted to release, led to the obvious step of starting his own label, Armada, in 2003.
The label is a joint venture between Armin, Maykel Piron (former head of A&R for Warner Music) and David Lewis, who’d previously managed Armin. “What we wanted was a company that could offer everything for an artist: representation, a booking agency, and a record company. Artists can choose full management, or to just release a record or play out at gigs. Armada lets the artists choose what they want without telling them what to do”.
Armin is now a fully-fledged artist in his own right, having made his songwriting debut on his last album, the award-winning Shivers; and artist album three is in the pipeline… The events continue to get bigger and bigger, and Armin regularly headlines the likes of Sensation White, Global Gathering, Dance Valley, ZoukOut, Mysteryland, Coachella, Beats In Brazil, Trance Energy, Fort Dance, Summer Days, Dance Valley – basically whether you’re in Australia, Russia, the Middle East, the US or Europe, you can catch Armin van Buuren at a club or festival near you!
“This is just what I really want,” says Armin. “It’s not just love for music, it’s my passion. It goes beyond liking, and beyond a hobby, it’s about a way of living. Music is essential to my life”.